New Creation

Let's Get Naked! // Jon Watts' "Clothe Yourself in Righteousness"

2011-10-06T09:19:00.005-04:00

During the last week of September, these odd fliers peppered the walls of Duke Divinity School. By the end of the week, people were talking about naked Quakers and asking if there would be streaking. As the event coordinator, I made no promises.

We welcomed musician Jon Watts to campus with a call he makes in one of his own songs: "Let's Get Naked!" But this wasn't just for shock value. Jon's latest musical release, Clothe Yourself in Righteousness, is a unique project that was born out of a collaboration with Maggie Harrison. Maggie had written an academic paper on the 17th-century Quaker practice of going naked as a sign.

For the September 30 performance, co-sponsored by New Creation Arts Group and the Duke Divinity Women's Center, we were excited to have Maggie with us in addition to Jon. Maggie shared the highlights of her paper with us, hitting on the several layers of significance of going naked: recalling that Adam and Eve were created good—and naked—only putting on clothes after the fall; pointing out that Isaiah preached naked in Isaiah 20; and insisting that the call to put on the new self, to put on Christ, to clothe yourself in righteousness, requires that we first take off the false clothing we have put on to hide our shame and our vulnerability. At the end of the concert, the group had a discussion with Jon and Maggie around all this and more, rounding out the event as unique not only in content but in the way it encouraged conversation and vulnerability among those present.

I haven't even mentioned Jon's music yet. As a spoken word artist (performing here with a guitar and violin), the sound is an experience all its own. Jon is a gifted songwriter, his lyrics simple but profound at the same time, unafraid of hard truths while still inviting the listener into his questions and challenges. Lyrical gems include, "Forgiveness is the difference between heaven and hell. That's not some afterlife shit; I'm talking now"; and this one that resonated with many of us present: "You don't need a degree from seminary to know God loves you." Jon's music encourages the listeners to be honest with themselves and with each other, even in their brokenness. That vulnerability is what getting naked is all about for Jon.

Pick up Jon's album, but prepared to be surprised and challenged by it. The ideas that Jon and Maggie are pushing have the potential to call the church (and not just Quakers!) back to its identity as a loving, genuine, transformative community that can effect real change in relationships and in the world.

-- Sarah

Isaiah (I Know No Other Word) // Collaborative Art and Healing

2011-09-26T10:37:00.002-04:00

By Stephanie Gehring

Excerpt below; original post here.

Mathew Crawford, a fellow student of mine, asked me to collaborate with him on an art project. His three-year-old son Isaiah died of leukemia only a few years ago, and in one of the first conversations I had with Mat, he told me he was at Duke in order to figure out how it was possible that the experience of caring for his son during that last illness had been both the most horrific and the most beautiful experience of his life. Mat is a photographer, and he said he had a photograph of Isaiah that, he felt, captured some of the power of the experience for him. For the collaboration, he printed this photograph for me on watercolor paper, and asked me to begin with that background and interpret freely.

Keep reading...

Do You Have a Face? Or Do You Know Someone Who Does?

2011-09-12T09:04:00.002-04:00

As part of the arts initiative through Jo Bailey Wells and Dean Hays, artist Rachel Campbell is painting a series of portraits. She has not yet finished the series, and is taking suggestions for local people whose faces you would like to see represented on the walls of the Divinity School. This is the same general initiative as the one that's giving us Saints through the Ages, but a different project. That means you can be involved in both! Here she is in her own words:

"I am creating a body of work that reflects our world as our parish. It is particularly meaningful to me as an artist to be able to paint portraits of people who might not normally have the opportunity to have their portrait painted. It is wonderful if it is meaningful to them in some way to be included in this project. So I am sourcing people from all countries, ages, and backgrounds. If anyone in the Divinity School has someone who comes to mind that they would like to celebrate in this way, perhaps someone who is unable to participate in community life through illness....or a sweet mentor...a child, they could email me about their friend. I have 7 portraits left to do (one is not here). So obviously I will not be able to include every suggestion--people need to be aware of this--but I do welcome ideas from others. I can work from photos, but it is an added bonus if I can get to meet the person if at all possible. Each portrait will hang in an area of the Divinity school, with a small plaque beside each painting telling some of the story of the person, depending on how much they would like to disclose."

To participate, please contact Rachel Campbell at chartlane1@gmail.com.

You Too Can Be Surrounded by Saints! In Color!

2011-09-08T22:17:00.003-04:00

As you may have seen, there are strange angled boxes installed near the floor in the Westbrook basement hallways; on the walls above them, we hope, there will soon be paintings which the Nasher (Duke's art museum) is loaning to the Divinity School. Art committees, headed by Jo Bailey Wells, with support from Dean Hays, are taking action to cure and prevent prevalent Divinity diseases like Severe Color Deprivation, Fluorescent Anemia, and Whiteboard Alarm.

The installation of windows is not yet a part of the program, but there are several series of images that are being collected for display in Langford's long, barren hallways. One of these is called Saints through the Ages, and will include between 12 and 20 portrait-like images of saints.

Here's where you come in. 20 is a small number, given how many saints there are – and “saints” here is construed in the broadest possible sense; we will include canonized Catholic, Anglican, and other saints, but also still-living Christians, in the spirit of the New Testament "sainthood of all believers." The current count of proposed saints is nearing 100, so we need help culling, as well as researching the saints, hunting for digital images (which will be mounted on sintra boards for display), and writing up the brief introduction to each saint that will appear on a plaque below his or her image.

If you'd like to spend five minutes (or five hours) surrounded by saints for this project, we'd love your help. Please contact Stephanie Gehring, stephanie.gehring@duke.edu.

Art That Tells the Story // World Blog Tour

2011-08-05T10:10:00.005-04:00

In order to invite people into the shared experience offered in his new book Art That Tells the Story, Chris Brewer decided to take the book on tour. However, this tour includes not book signings at your local bookstore but a series of stops around the blogosphere. Most recently, Art That Tells the Story was featured on the publication watch of our friends at DITA - Duke Initiatives in Theology and the Arts - and the next stop is on Jenni Simmons' blog Dreams of Genevieve.

Featuring a foreword by Makoto Fujimura, reflections by Michael Wittmer and work from 20 different artists, this book truly embodies the name of Brewer's project - Gospel Through Shared Experience. Following the contours of the Biblical narrative, the book carries the reader from creation to fall, redemption to consummation, combining exquisite visual art with reflections, poetry and Scripture. The many contributors, working through various media with different approaches, show that we all can be a part of telling the story of salvation history, that sharing the Gospel is not about reciting a historical account but about creating space within the story where all of God's children can inhabit it. This book does that beautifully, collaboratively and creatively.

Follow Art that Tells the Story on tour - http://gospelthroughsharedexperience.blogspot.com/2011/07/world-blog-tour.html

For more information or to purchase, visit - http://www.gospelthroughsharedexperience.com/book.htm

After "The End" // Colt Mavity reflects on a life-changing and faith-changing play

2011-08-03T11:14:00.027-04:00

On July 19th, 2011 at the Riverside Church Theatre in Manhattan and then again on July 23rd at University Lutheran Church in Harvard Square I was blessed to be part of a play that transcended anything I've ever witnessed within the bounds of "theater." It was an original play titled I Come To The End (the title taken from Psalm 139:18 NRSV) which I wrote and which was performed by 7 students from a rural town which most of you have never heard of in North Dakota. It was part of a larger ministry trip to New York City and Boston which sought to accomplish a "dual-pronged ministry" comprised of "basic needs ministry" (ie. serving meals to the homeless) and "ministry through the arts" (which included not only the play but an original visual art exhibit which featured original photography and paintings by the students on the trip and which was organized and curated in large part by one of our incredibly talented young photographers: high school sophomore Brittney Ann Berg).

Our group of 7 high school students was a mix of 4 Lutheran students and 3 Catholic students ranging in age from 15-18 along with 4 chaperones: University of North Dakota senior English Literature major Trista Schlosser as well as one of the foundations of the church where I work (not to mention an extraordinary photographer), Terri Houghton. Our chaperones also included two Duke Divinity grads: Toby Bonar, who was the play's live musician, as well as myself.)

A few weeks back, before just as we were about to debut the show at Riverside, Sarah Howell asked me to offer a reflection of the experience(s) of performing the play once it was complete and to post it on New Creation's blog. I immediately said I would love to, but after reflecting upon it, I think it is far better that instead of hearing from me (the youth pastor) that you hear from one of the students who was absolutely integral to the production from all the way back in March through the final scene on July 23 in Harvard Square. That person is an amazing young man named Colt Mavity.

Colt was my assistant director, a key actor, and the show included two full original poems that he penned as well. In other words, he was an essential part of the huge heart beating at the center of our remarkable play. Colt graduated a couple months ago from high school and will be attending Dakota College of Bottineau in a few weeks this fall on a basketball scholarship. I doubt that many young men on a basketball scholarship anywhere in America can act and write poetry as well as Colt. You can reach him at: colt_mav_45@hotmail.com.

Alright Colt, take it away! -- Leif Erik Bergerud

"To say the absolute least, performing this play changed my life. It was so much more than just a play to everyone, actors, actresses, audience members, crew members, etc. Performing this play was such a spiritual journey. A bunch of random high school students were able to become a family of their own with unspoken bonds that can never be broken. All because of a play about coming to the end and going through the end this was possible. We didn't perform it for the reviews or the audience or even ouselves, but for God. Through His light this play was able to flourish to the absolute fullest.

Sitting in the audience, I believe it would be unmistakenly clear that the emotion behind each "actors'" face can come across as so real and touching to anyones heart. The reason behind that is because each individual had the same mindset that we really wanted to help somebody just by performing this play to get its message across. It didn't matter who it was for. It could have been for a spectator in the audience, the sound guy in the back, or even one of us on stage. The fact the we can all say it helped us in some way shows us that this play was without a doubt a success. I believe that it has the potential to help any single person in the entire world in some way."-- Colt Mavity.

[Photos: At upper right, Colt Mavity in rehearsals at The Avalon Theater in Minneapolis. Group Photo below: Our entire cast/crew after our debut performance and talk-back discussion session on 19 July 2011 at the Riverside Church Theater inside the historic Riverside Church in Manhattan. Left to right: Lucas Stroh, Colt Mavity, Ashley Brew, Jessen Dolechek, Leif Erik Bergerud, Trista Schlosser, Karly Houghton, Brittney Ann Berg, Tess Gaugler, Terri Houghton, Toby Bonar.]

Liturgy, Formation, Mission and Art // A Conference in Durham

2011-07-28T21:38:00.004-04:00

On November 8-10, 2011, Duke Divinity Th.D. student and arts pastor David Taylor will host a conference on liturgy, formation, mission and art. While the focus will be on Anglican and Episcopalian traditions, it's for anyone with an appreciation for liturgy. Plenary speakers will include Sam Wells, Mark Galli, Lester Ruth and David Taylor. Click here for more information.

The Creation of Torrit Smoke // NC Filmmaker Follows Painter's Creative Process

2011-07-19T09:47:00.004-04:00

The Indianapolis International Film Festival is currently running at the Indianapolis Museum of Art, and I was able to attend a showing last night. I fell in love with the half-hour documentary "The Creation of Torrit Smoke." North Carolina filmmaker John Francis follows painter Blakely Dadson through a 4-month process of creating a painting. It is fascinating from a purely artistic, compositional standpoint, but the parts I found truly inspiring were those where Dadson talked about the creative process and the spirituality of it. He had some interesting things to say about the perils of perfectionism, the nature of art as a calling, and the way in which painting is often more like discovering something old than creating something new.

Click here to read a review of the film, or take a look at the trailer below.

"All Truth Is Hard Truth" // Thornton Dial at the Indianapolis Museum of Art

2011-07-19T09:39:00.003-04:00

This past Saturday, I had the pleasure of getting a tour of the Thornton Dial exhibit currently on display at the Indianapolis Museum of Art. The exhibit is entitled "Hard Truths" (taken from a quote by Mr. Dial: "All truth is hard truth") and includes somewhere around 70 incredible pieces by the 82-year-old artist. Not only are the pieces incredible visually, Dial explores all aspects of life and society, from grief to racism to socioeconomic oppression to cultural elitism to post-9/11 America. Below is a link to an article in the New York Times that covered the opening of the exhibit in Indianapolis this past February. -- Sarah

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Full article here // Excerpt below

By Carol King

THORNTON DIAL has never been one for talking much about his artwork. Ask him what inspires his monumental assemblages, made from twisted metal, tree branches, cloth, plastic toys, animal bones and all manner of found materials, and he is likely to respond tersely, as he did while showing me around his studio here one bone-chilling day last month.

“I mostly pick up stuff,” he said. “I start on a picture when I get a whole lot of stuff together. And then I look at the piece and think about life.”

Keep reading...

Artful Is God // A Hymn by Richard Hall

2011-07-17T07:40:00.000-04:00

Artful is God, creation is his canvas
on which he paints his cosmic masterpiece:
brushstrokes both broad and delicate in detail,
colours and shapes composed in perfect peace.

Read the full hymn here.

Celebrity and Iconicity: Some Preliminary Sketches // Carole Baker in The Other Journal

2011-07-13T07:18:00.002-04:00

Full article here // Excerpt below

By Carole Baker

That contemporary America is captivated by the phenomenon of celebrity is hardly a contestable observation. Even those of us who try to limit the impact of celebrity on our life find that its tenacity is hard to overcome. Some try to overcome the impact of celebrity by willing its insignificance. But that some energy is required to will its insignificance should be an indication that, despite our best efforts, as contemporary Americans we are beholden to it. Celebrity has become the lingua franca of our society.

As I survey the relationship between celebrity and the two disciplines of theology and visual art, it may be worth stating my modest aims bluntly: by drawing attention to the phenomenon of celebrity, I hope to investigate a nagging suspicion of mine that something fundamental is missing in present enthusiasms surrounding the role of art and artists in the contemporary church. And that something entails a thicker theological account of materiality and Christian identity, an ontology and anthropology that goes beyond the typical imago dei apologetics. What follows are some preliminary sketches of these matters, and as any artist knows, preliminary sketches are just that—preliminary.

Keep reading...

Music from The Gathering Church // Hymns Record Kickstarter Campaign

2011-07-12T09:23:00.003-04:00

It's been a while since this blog has been updated, but this seems to be an appropriate topic for a return to posting. The Gathering Church of Durham is drawing on its congregation's phenomenal talent pool to produce an album of hymn arrangements, and they are raising money through Kickstarter to fund the project. Check out their video below, support their efforts, and look forward to some great folk-style sacred music coming soon out of the local community.

The Gathering Church is recording a new album of traditional hymns arranged in a different way with plenty of guests. It is a followup to 2010's Christmas Nights EP, a successful start to the recording vision of Chapel Hill's Gathering Church.

This project is larger in scale and needs your support. As it is a full length with guest vocalists, we need a larger recording budget and honorariums for the guests that appear on the record. Your money will go towards this and other expenses involved in manufacturing CDs and artwork along the way.

Proceeds from the recording after expenses will be split evenly between the production team and fundraising for the music ministry of the Gathering Church. Donations are to the church - a 501c3 non-profit - allowing them to be written off on your taxes.

Pacific NW | Northwest Christians explore faith, art and culture | Seattle Times Newspaper

2011-04-25T12:30:00.001-04:00

See what's happening in the Pacific Northwest:

Pacific NW | Northwest Christians explore faith, art and culture | Seattle Times Newspaper

Call for Artists // October Arts Fair at Duke Divinity's 2011 Convocation & Pastors' School

2011-04-21T16:22:00.003-04:00

Duke Divinity School is accepting applications from artists wishing to display, demonstrate, and sell their craft during an Arts Fair that will take place Monday, October 10, on campus.

The Arts Fair is part of the 2011 Convocation & Pastors’ School, “Drawn into Scripture: Arts and the Life of the Church,” an event that will explore new ways of interpreting the Word.

There is no cost for vendors to participate in the arts fair, and artists will be accepted at the discretion of the event staff.

The application deadline is June 30, 2011. Space is limited, so artists are encouraged to apply early.

To learn more, download an application.

Why the Church Needs Art // David LaMotte

2011-04-18T10:17:00.001-04:00

Full article here // Excerpt below

By David LaMotte

To many people, art is superfluous or even distracting from what is truly important. It holds entertainment value, keeping people engaged, or perhaps pleasantly distracted, but is not substantive, and is certainly not integral. To others, it is fundamental; it is a door through which they enter into divine relationship. My heart breaks for the former category. I mourn that they do not get to feel what I feel when I am transported by a powerful piece of music (or dance or painting or sculpture or photography, etc., for that matter, though I primarily write of music here, which is my own primary artistic expression). Art is a way to worship and to be in relationship with God that cannot be replicated by other methods. It is an essential way to connect to God, and should not be discounted or minimized. There are several reasons for people of faith to take it seriously.

Keep reading...

TONIGHT AND TOMORROW in Durham // Duke Divinity School Broadway Revue

2011-04-15T14:03:00.005-04:00

Come enjoy your favorite Broadway Tunes!
Admission is FREE!
Tickets are available at Duke Divinity School or by email request. [linnyb12@gmail.com]

Friday, April 15 and Saturday, April 16
Doors open at 6:30, show begins at 7:00
Hayti Heritage Center

804 Old Fayetteville Street

Durham, NC

Church and Art Network

2011-04-07T10:25:00.002-04:00

Check out Church and Art Network--here's an excerpt from their website:

"Church and Art Network (C&A) is a gathering of organizations, individuals, networks, ideas, experience, and information.

We believe together that the arts were created by God as an expression of his own nature, and revealed in his Creation. He made his human works of art (poema – Ephesians 2:10) in his own image, so our creative work, whether it is overtly “religious” or not, reflects a God who is the center of the universe and the source of our abilities and materials. The arts are not merely a luxury – they deserve a place of importance in the Church, in the academy, in our communities, and in our individual lives."

At this Shelter, Art Studio Helps the Homeless Paint a Brighter Future // Metro Atlanta Task Force for the Homeless

2011-04-07T10:15:00.002-04:00

Full article here // Excerpt below

By Lori Chapman

An art studio doesn't usually make anyone's list of what the homeless need.

But when Anita Beaty decided to start painting in the storefront window of a homeless shelter, people were soon looking in and asking to join.

"It seemed to me that there were lots and lots of creative people among folks who were experiencing homelessness," Beaty says.

And she would be familiar with their needs -- Beaty is the executive director of the Metro Atlanta Task Force for the Homeless. She'd been looking for a way to combine her love of art with her passion for eliminating poverty.

Keep reading...

China Takes Dissident Artist Into Custody // Ai Weiwei and Dissent

2011-04-07T10:11:00.003-04:00

Full article here // Excerpt below

By Andrew Jacobs

The Chinese authorities on Sunday detained Ai Weiwei, a high-profile artist and stubborn government critic, as he tried to board a plane for Hong Kong, his friends and associates said. Mr. Ai’s wife, his nephew and a number of his employees were also taken into custody during a raid on his studio on the outskirts of the capital.

Rights advocates say the detentions are an ominous sign that the Communist Party’s six-week crackdown on rights lawyers, bloggers and dissidents is spreading to the upper reaches of Chinese society. Mr. Ai, 53, the son of one of the country’s most beloved poets, is an internationally renowned artist, a documentary filmmaker and an architect who helped design the Olympic stadium in Beijing known as the Bird’s Nest.

Keep reading...

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Here's another article about Ai Weiwei, his work and his arrest.

April 9 at Duke // Author-Activist Barbara Kingsolver To Receive Duke Leaf Award

2011-04-02T09:06:00.002-04:00

Full article here // Excerpt below

Critically acclaimed American author Barbara Kingsolver is the 2011 recipient of the Duke LEAF Award for Lifetime Environmental Achievement in the Fine Arts, Duke University’s Nicholas School of the Environment announced Thursday.

The Duke LEAF Award was established in 2009 to honor artists whose works have lifted the human spirit by conveying humanity’s connection to the Earth, thereby inspiring others to help forge a more sustainable life for all. Actor Robert Redford received the inaugural award.

Keep reading...

April 15-16 at Duke // Catholicism and the Visual Study of Religions Interdisciplinary Humanities Conference

2011-04-01T10:21:00.004-04:00

Friday, April 15, 2011 - 5:00pm - Saturday, April 16, 2011 - 5:00pm
0013 Westbrook

The Duke Department of Religion will hold a free conference on the role of visuality in the study of religion, with special interest in Roman Catholicism. Papers at the Catholicism and the Visual Study of Religions Interdisciplinary Humanities Conference will explore how visualizing the study of religion may assist scholars in understanding such phenomena as apparitions, visions, dreams divination, devotional practices, and the use of imagination in ritual practices such as meditation, prayer, and pilgrimage.

Illuminating the Word of God // The St. John's Bible

2011-03-31T08:51:00.002-04:00

Full article here // Excerpt below

By Jeff Strickler

It’s impossible not to be mesmerized by the meticulous craftsmanship of The Saint John’s Bible: exquisite calligraphy done with hand-cut quills, stencils and stamps of gold powder, and pages made of calfskin gilded with gold leaf.

But it’s not an art book, insist the people who are working with it. It’s an interpretation of the Bible that incorporates ancient craft with modern-day worship, and its theological relevance goes far beyond its appearance.

Keep reading...

Completely Free to Be Vulnerable // Martha Depp on Art and Cancer

2011-03-28T21:18:00.002-04:00

Full article here // Excerpt below

By Trent Gilliss

This afternoon we received the following email from Ben Depp, a photographer whose sister Martha, an artist and art teacher, was diagnosed with an advanced form of ovarian cancer:

“I put together a six-minute film on her art, life, and cancer. I think this is a good fit for your blog because of her spiritual journey through her cancer process, and it’s very interesting because of how she illustrated the process with painting and drawing. Her blog has touched thousands including many with terminal cancer.”

I don’t know why, but I started watching Ben’s quietly touching video, half expecting an against all odds type of story. It wasn’t to be.

Keep reading...

Tonight at Duke // "St. Paul's Conversion from Word to Music" Pre-concert Panel Discussion

2011-03-28T08:46:00.002-04:00

Monday, March 28, 2011
7:30 p.m. to 9:30 p.m.
0014 Westbrook

Duke Chapel and Duke Initiatives in Theology and the Arts will sponsor a pre-concert panel discussion for a performance of Mendelssohn's St. Paul to be held April 3. There will be presentations at the panel discussion by Divinity School Dean Richard Hays, an international authority on the writings of Paul; Larry Todd, Duke University professor of music and a world-renowned authority on Mendelssohn; and Siegwart Reichwald, associate professor of musicology at Converse College and author of "The Genesis of Felix Mendelssohn's Paulus." Excerpts will be played and sung. There also will be time for questions. Admission is free.

Tomorrow in Durham // Divinity Women's Center Art Show and Open-Mic Poetry

2011-03-23T22:01:00.003-04:00

The Duke Divinity School Women's Center will kick off its art show with an open-mic poetry reading at Bean Traders on Ninth Street on March 24th from 6:30-8:30 p.m. The exhibit will feature female artists’ work as well as art about women. Everyone who attends receives free drinks, compliments of The Duke Divinity School Women’s Center. Contact: eunsung.kim@duke.edu.

'Miral' //Julian Schnabel Discusses His New Film, a Palestinian Story

2011-03-23T14:49:00.002-04:00

Full article here // Excerpt below

By Deborah Sontag

At an exhibition opening in Rome in 2007, Julian Schnabel, the burly artist and filmmaker known for his enormous canvases and outsize personality, met a svelte, stylish journalist who was born in Haifa and lived in Italy. As they chatted, Mr. Schnabel tried to place her accent.

“I said, ‘Are you Indian?’ ” he recollected. “She said, ‘No, I’m Israeli.’ I said, ‘So, you’re Jewish?’ She said, ‘No, I’m Palestinian.’ And then I hesitated for a moment. She said, ‘Are you scared?’ I said, ‘Should I be?’ ”

Keep reading...

Wild Goose Festival // An Arts, Music, Justice and Spirituality Festival in Pittsboro

2011-03-14T12:29:00.004-04:00

Wild Goose Festival - June 23 - 26, 2011 Shakori Hills Farm, NC from Wild Goose on Vimeo.

The Wild Goose is a Celtic metaphor for the Holy Spirit. We are followers of Jesus creating a festival of justice, spirituality, music and the arts. The festival is rooted in the Christian tradition and therefore open to all regardless of belief, ethnicity, gender, sexuality, denomination or religious affiliation. June 23-26, 2011.

Worship in Black and White // From Christianity Today

2011-03-10T19:00:00.002-05:00

Full article here // Excerpt below

By Reynolds Chapman

Learning the history of the black church has also taught me how to prepare and lead worship. The black church in America was formed, in part, because white churches (as majority cultures are wont to do) assumed that blacks should assimilate into white, Western culture. Thus some African instruments, such as the talking drum, were banned because they were thought to be demonic. This led me to ask, In what ways are my assumptions and impulses in preparing worship music guided by white cultural bias? The cross-cultural tensions between black and white churches are, to be sure, complex, but this historical example helped me realize that I could not simply add a few black gospel songs to the worship set, but needed to think about ways to fully integrate black and white cultures into worship.

Keep reading...

The Hymns That Keep on Going // From Christianity Today

2011-03-08T14:59:00.002-05:00

Full article here // Excerpt below

By Robert T. Coote

There are many ways to identify the most lasting or best loved hymns among American Protestants. But what would we find by looking at all 28 hymnals published by mainline Protestant denominations from the late 1800s to the present? Out of almost 5,000 hymns, how many would appear in all 28 hymnals?

Why limit this analysis to mainline Protestant denominations? For one thing, a comparable series of hymnals from evangelical denominations from the late 1800s does not exist. And the hymnals most widely used by evangelical denominations in the past 40 years have been produced by independent publishers and therefore lack clear precedents.

Keep reading...

Shared Cultural Spaces // Islam and the West in Arts and Science

2011-03-07T11:36:00.002-05:00

Full article here // Excerpt below

By Shubha Bala

When we think of historic Islamic scholars, it’s easy to think of philosophy and literature and forget the science. From February 24-26, the University of Minnesota’s program in Religious Studies held the Shared Cultural Spaces conference, which aimed to “explore the ways in which Muslim contributions to literature, arts, science, and architecture have influenced and become foundational to Western humanistic and scientific expressions.”

Keep reading...

One on One: Girl Talk, Computer Musician // An Interview with Greg Gillis

2011-03-07T11:33:00.002-05:00

Full article here // Excerpt below

By Nick Bilton

Gregg Gillis, a musician who performs under the name Girl Talk, creates a unique style of music using a laptop computer to chop up and reuse mainstream pop songs. His work, which is heavily influenced by mathematics, manages to pair divergent genres of music, mixing Madonna and Black Sabbath. His work has also questioned copyright law and fair use with respect to digital music. The following is an edited version of an interview with Mr. Gillis.

Keep reading...

Worldly Actor Finds Method in a Monastery // Lambert Wilson in "Of Gods and Men"

2011-03-07T11:30:00.003-05:00

Full article here // Excerpt below

By Sylviane Gold

ON Friday, around the time New York moviegoers arrive for an afternoon showing of the French film “Of Gods and Men,” last year’s grand prize winner at Cannes, the star, Lambert Wilson, should also be making his way to a theater. But not for a movie. In Paris it will be César night, France’s Oscar night, and Mr. Wilson is nominated for his performance as the leader of a tiny Trappist monastery in strife-torn Algeria.

Keep reading...

Charlotte Man's Poster of the Homeless Inspires and Multiplies // The Lord's Prayer and Beyond

2011-03-07T10:26:00.008-05:00

Full article here // Excerpt below

By Elizabeth Leland

A Charlotte businessman created a poster of homeless people holding up words to The Lord's Prayer, which inspired a Winston-Salem surgeon to create a similar poster with words to a Bible verse, which in turn inspired a former teacher from Thomasville to create a poster.

Sales of the three posters have brought more than $14,000 to help the homeless.

And there's no telling where Brian Hadley's idea may turn up next.

Keep reading...

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I like this idea on a basic level--visually reclaiming the Lord's Prayer on behalf of ALL God's people, and I particularly like the approach to embodying Matthew 25 with one of the other posters. And from where I'm sitting right now in my old bedroom in my parents' house in Charlotte, I can turn my head just over my right shoulder and see one of those Lord's Prayer posters on my wall. I like the poster, and I was glad to see the article in this morning's Charlotte Observer.

But I'm currently taking Amy Laura Hall's introductory Ethics course at Duke Divinity, and we recently discussed representation via media of other cultures and socioeconomic stations--a distressing conversation about how to deal with issues like poverty and development without objectifying or exploiting the human beings on whom such "issues" ultimately center. So I'm hyper-aware of problems of paternalism and the like right now, and I can't help but get mildly uncomfortable at a photo of a businessman in a suit holding a framed poster covered with images of unnamed "homeless people."

There's nothing inherently wrong going on here, and I applaud Mr. Hadley's attempt to bring the Lord's Prayer "home" in a real, jarring way, particularly with a philanthropic thrust. I just wanted to name a few things that might have made me like the article (and maybe the poster too) even more: names. Stories. Reactions. It is inspiring--to middle class folks like me--to hear how this idea has spread and raised money for organizations supporting the homeless. But I'm curious how "the homeless" feel about it. How do they understand the Lord's Prayer? Matthew 25? In simply putting together the image, we're given a hint of a reflection on such questions, but no real answer. I want to challenge people like me to be concerned with such answers.

-- Sarah

Hip-Hop Mosaic // From Faith & Leadership

2011-03-01T13:38:00.004-05:00

Full article here // Excerpt below

By Jeff Strickler

To say that the Rev. Efrem Smith thinks outside the box isn’t entirely accurate. He doesn’t recognize the box in the first place. Not that others haven’t pointed it out to him, or even tried to put him in one from time to time. But he isn’t having any part of it.

It was an outlook he got early in life. Growing up in an integrated neighborhood in Minneapolis in the 1970s, he questioned why people gathered in segregated worship services on Sunday mornings.

Keep reading...

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Efrem Smith and Curtiss DeYoung will be teaching at the Duke Divinity School Center for Reconcilation's 2011 Summer Institute.

Supercolossal Street Art // JR, "this kamizake image-maker"

2011-03-01T13:34:00.002-05:00

Full article here // Excerpt below

By Gaby Wood

In a Paris suburb in October 2005, two teenagers of African descent were running away from the police and tried to hide inside a power substation. They were electrocuted instantly. The violence that broke out in protest of police harassment soon spread to neighboring communities and eventually to housing projects across the whole of France. When the media came to document the events in Clichy-sous-Bois, they were met with an additional, unexpected kind of confrontation: behind one of the countless cars in flames was a black-and-white photograph that was pasted onto the side of an apartment building some time before and took up its entire width. From its center, surrounded by a group of boys striking aggressive poses, a black man several times larger than life stared out, pointing with what appeared at first to be a shotgun. On closer inspection, it was a video camera. Get out, he seemed to be saying, we’re recording this too, and we’ll tell the story the way we see it.

Keep reading...

Why We Write About Grief // Memoirs as the Public Side of Grief

2011-03-01T13:31:00.002-05:00

Full article here // Excerpt below

By Joyce Carol Oates and Meghan O'Roarke

Meghan O'Rourke: You know, writing has always been the way I make sense of the world. It’s a kind of stay against dread, and chaos. My mother was diagnosed with advanced colorectal cancer in 2006; she was 53, and I was 30. As her disease progressed, I found myself writing down all the experiences we had — the day she got giddily high on morphine at the doctor’s office; the afternoon we talked, painfully, about her upcoming death. It helped me externalize what was happening. After she died, I kept writing — and reading — trying to understand or just get a handle on grief, which was different from what I thought it’d be. It wasn’t merely sadness; I was full of nostalgia for my childhood, obsessed with my dream life and had a hard time sleeping or focusing on anything but my memories. I worried that all this was abnormal.

Keep reading...

‘Kind of Blue’: Senior Debuts Jazz-Inspired Play About Male Identity // UNC Student Kuamel Stewart

2011-02-25T13:23:00.003-05:00

Full article here // Excerpt below

Senior communication studies major Kuamel Stewart is passionate about jazz music and playwriting. He combines those two loves into one with the Feb. 23 debut of “Kind of Blue,” a play he wrote that explores male identity. The title of the play comes from the 1959 Miles Davis’ modal jazz album, “Kind of Blue.”

[...]

Preview night is 6 p.m. Feb. 23. The play will be performed Feb. 24-28 at 7 p.m. and Feb. 26-27 at 2 p.m in Playmakers Theatre, 202 E. Cameron Ave. After the Feb. 24 show, theater-goers can enjoy a free live performance of Miles Davis’ iconic album at 10 p.m. in Room 1201 of the Kenan Music Building as part of the Carolina Jazz Festival. Free tickets to the play are available at the Memorial Hall Box Office in person, by calling (919) 843-3333 or online at http://memorialhall.unc.edu. On March 1, the cast and crew will hold a “talk back” session to further explore the themes of masculinity at 7 p.m. in the Carmichael Dormitory ballroom.

Keep reading...

What is the Future of Traditional Church Music? // From the Daily Episcopalian

2011-02-24T20:38:00.001-05:00

Full article here // Excerpt below

By George Clifford

Recently, I’ve participated in, or overheard, several conversations about church music. A well-known, respected authority on Episcopal liturgy openly declined to attend Morning Prayer at a conference we both attended because the service included Taizé music. These experiences evoked memories of conversations in my former parish between parishioners who wanted a variety of contemporary music (Taizé, jazz, guitars, praise choruses, etc.) and those who wanted only traditional music (i.e., classical, chant, or from the 1982 Hymnal).

Keep reading...

Singing Hallelujah with Fear in Your Heart // Arcade Fire and the Suburban Soul

2011-02-23T15:08:00.003-05:00

Full article here // Excerpt below

By Paul Harvey

Has there been a major pop group more concerned with exploring personal anxieties, aspirations, and narratives through music defined so fundamentally by religious themes? The turmoil and paranoia of the last decade—wars, attacks, economic crashes, myriad color-coded fears—run through Arcade Fire’s three full-length records: Funeral, Neon Bible, and The Suburbs. The newest effort induces a tour of previous decades, when suburbia seemed (but only seemed) to offer placidity and refuge from the wilderness downtown.

[...]

From their debut, Funeral, and then most obviously and grandiosely in their last production, Neon Bible, religious desire, frustration, and anger define the lyrics. For some of the band’s critics, the group lays it on a bit thick. On Neon Bible, a crashing church organ accompanies a song about crippling inhibition and self-consciousness:

My body is a cage
that keeps me from dancing with the one I love
but my mind holds the key

set my body free, set my spirit free...

And a symphonic explosion of sound highlights the climax to “Intervention”:

Been working for the church while your life falls apart
been singing hallelujah with the fear in your heart

Keep reading...

What Does Mercy Look Like? // From NY Times' Lens Blog

2011-02-23T15:03:00.002-05:00

Full article here // Excerpt below

By Niko Koppel

Mercy is commonly defined as compassion, forgiveness, kindness or an act of piety. But photographs of prisoners reaching through bars, a wrestler being contorted by masked men and an infant dressed for burial are among the many interpretations of the word in the book “The Mercy Project/Inochi,” created and curated by James Whitlow Delano.

Keep reading...

Haiti’s Scars, and Its Soul, Find Healing on Walls // Haitian Murals Find Sanctuary in Restoration Project

2011-02-23T15:00:00.003-05:00

Full article here // Excerpt below

By Damien Cave

Colorful and sad, beautiful but cracked, the three remaining murals of the Episcopal Trinity Cathedral received the soft afternoon sun after last year’s earthquake only because the rest of the church had collapsed.

Haitians walking by looked heartbroken. All 14 murals had been internationally treasured. Painted in the early 1950s during an artistic renaissance here, they depicted biblical scenes from a proud, local point of view: with Jesus carrying a Haitian flag as he ascended to heaven; and a last supper that, unlike some famous depictions, does not portray Judas with darker skin than the other disciples.

“All of this was painted from a Haitian perspective,” said the Rev. David César, the church’s main priest and its music school director. He marveled at the image miraculously still standing: Judas, with the white beard and wavy white hair often assigned to God himself.

It was his favorite mural, he said, and now, it is being saved.

Keep reading...

North Africa's Hip Hop Protest Music // On the Media

2011-02-22T10:10:00.001-05:00

Full story here

In the midst of the revolutions in Tunisia and Egypt and the protests elsewhere in North Africa and the Middle East, a group of Libyan exiles who run a website called Khalas noticed one surprising common thread in the voicing of discontent … rap music. Across the region rap artists were providing the soundtrack to protests in the streets. So Khalas decided to contribute by releasing a mixtape of their own. Khalas co-founder Abdulla Darrat talks about the influence of hip hop in this latest round of protests.

Tonight at Duke // 'Jazz Mama' Documentary Showing

2011-02-22T10:03:00.002-05:00

'Jazz Mama' documentary film screening and discussion with filmmaker Petna Ndaliko and African Studies scholar Chérie Rivers

Tuesday, February 22 @ 6:45pm
0014 Westbrook
FREE Pizza & Beverages

Does the media’s focus on stories of violence condition us to overlook the strength, resiliency and hope of women in Congo? Jazz Mama is both a film and a movement inspired by the uncompromising strength and dignity of Congolese women, despite the obstacles and violence they face. Jazz Mama aims to bring awareness to gender-based violence in Congo without reducing the women to victims whose lives are circumscribed by rape. While sexual violence is a devastating problem, these women are often not only survivors but pillars of the community.

Film Chronicles Persecution of Monks in Algeria // "Of Gods and Men"

2011-02-22T09:43:00.004-05:00

Full article here // Excerpt below

"Of Gods and Men" is a French film that's set in a monastery in Algeria in the 1990s. It's loosely based on the story of seven monks who were kidnapped and decapitated in 1996. At the time, Algeria was facing a violent Islamist insurgency.

[...]

"Of Gods and Men" has been a surprisingly successful film at the box office in France. And the actor who plays Brother Christian, the prior of the monastery, is a very well-known French movie star, Lambert Wilson, who is better known in this country for playing the Merovingian in "The Matrix" movies and who joins us from New York.

Keep reading...

Juror for New Creation's 2011 Juried Arts Exhibit Announced

2011-02-22T09:35:00.003-05:00

The juror for NCAG's 2011 Juried Arts Exhibit, Carolyn Butler, is a North Carolina-based artist working in digital and new media. Her work has been shown throughout the south and northeast, winning awards at the Green Rice Gallery, in Charlotte, NC and the Reece Museum in Johnson City, TN. She has been an artist-in-residence at the Duke Youth Academy at Duke University, and recently was awarded an artist residency at the prestigious Vermont Studio Center. Butler received a BFA from the Rhode Island School of Design and will complete the MFA program at the University of North Carolina, Chapel Hill this spring.

Playing for Change // Songs Around The World

2011-02-21T08:58:00.002-05:00

You've probably seen at least one of the videos from this album (like the one below), but be sure to check out the entire project from Playing for Change.

Monday at Duke // Free Show in Reynolds Auditorium: Mayda Del Valle

2011-02-12T18:13:00.002-05:00

Mayda Del Valle (2001 National Poetry Slam Winner)

Monday, February 14 @ 8:00 p.m.
Reynolds Theater, Duke University
FREE SHOW

More info

Photography and the Education of a Doctor // Learning from Patients

2011-02-10T10:57:00.003-05:00

Full article here // Excerpt below

By Lucy Hood

A stethoscope, a blood pressure cuff and a few other tools are all pediatrician John Moses needs to obtain basic information about the health of his patients. But when he wants to go beyond the clinical setting and find out more about their health issues -- the whys and wherefores of teen pregnancy, for example - he puts the medical instruments down and picks up a camera.

Keep reading...

“Enhancing My Medical Education Through Photography," A Talk By Pediatrician/Photographer John Moses from Center for Documentary Studies on Vimeo.

Drawn Into Scripture: Arts and the Life of the Church // 2011 Convocation & Pastors’ School @ Duke Divinity

2011-02-10T09:13:00.001-05:00

While the church’s celebrations and teachings follow a steady cadence, we continue to seek new and vibrant ways of interpreting the Word. The arts – in their varied forms – can provide a source of inspiration.

Join us as professor and musician Jeremy Begbie, author Marilynne Robinson, professor and musician Anthony Kelley and the BLAK Ensemble, and the Rev. Dr. Lillian Daniel help us explore art’s illuminating power.

Together, we will experience the scriptures from a new perspective and find imaginative ways of expanding the life of the church.

More info

In London, Climate Change Comes to the Stage // "Greenland" at the National Theater

2011-02-09T14:36:00.002-05:00

Full article here // Excerpt below

By Matt Wolf

It’s not often that the mundane activities of an audience directly fly in the face of what is happening on stage. But there I was the other night at “Greenland,” the National Theatre’s admonitory potpourri of a drama about climate change, when I became all too aware of my fellow spectators crumpling packets of this or that or popping plastic water bottles like (very) cheap champagne.

“Hang on!” I wanted to call out, as images of the plastic trash-turned-land mass that is gradually despoiling our earth unfurled before me. (The production runs in repertory at the Lyttelton through April 2). “Is no one paying this show any heed?” Or perhaps the sorry truth is that even plays considerably better than “Greenland” can hector till the cows come home, and yet we still aren’t as conscientious as we ought to be. Recycle, recycle, recycle, I muttered all the way home.

Keep reading...

Learning How to Transpose // How the Arts Inform Christianity

2011-02-09T13:19:00.001-05:00

Full article here // Excerpt below

By Wes (Transpositions)

...What are the methods for putting the arts in conversation with Christian thought and practice? How do we describe the relationship between the arts and Christianity in the context of interdisciplinary studies?

One relationship we should discount right away is illustration. If we are going to take the conversation between the arts and Christianity seriously, we have to move beyond thinking about the arts as mere illustrative tools for theological reality. Even though Christians are really good at “finding God at the movies” and other methods of mining the arts for truth, I believe that the arts have more to offer than this.

Keep reading...

The Glen Workshop // Acts of Attention: Art as Discovery

2011-02-09T08:35:00.002-05:00

The Glen Workshop is a unique opportunity offered by Image. Pick up a brochure from the bulletin boards above the student folders or next to the student lounge, or get more info below.

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The Glen Workshop 2011

Writing classes. Art classes. A seminar on arts and aesthetics. A retreat option. The Glen Workshop combines an intensive learning experience with a lively festival of the arts.

Glen East, in its first year, will be held in the Pioneer Valley, one of New England’s most beautiful and intellectually vibrant spots, home to some of the country’s oldest renowned colleges and known for the natural beauty of the Connecticut River and rolling green terrain.

Glen West, celebrating seventeen years, takes place in the stark, dramatic beauty of the Sangre de Cristo mountains and within easy reach of the rich cultural, artistic, and spiritual traditions of northern New Mexico.

More info

At Night, Protest Gives Way to Poetry // Poetry and Performances in Tahrir Square

2011-02-08T10:59:00.002-05:00

Full article here // Excerpt below

By Anthony Shadid

It was a few minutes after midnight on Sunday, when an unaccustomed rain washed Cairo’s somnolent streets, as Ahmed Abdel-Moneim walked with friends across a bridge that was a passageway to a parallel capital in Tahrir Square, an idea as much as a place.

“My vision goes a lot farther than what my eyes can see,” he said.

Egypt’s revolution is a contest of ultimatums — chaos and revolution, freedom and submission — but its arena of Tahrir Square becomes quieter at night, the cacophony of rebellion giving way to a stage of poetry, performance and politics.

Keep reading...

Call for Submissions // 2011 Juried Arts Exhibit: "Places of Redemption"

2011-02-07T11:56:00.004-05:00

Submissions for the 2011 Juried Arts Exhibit will be accepted March 16-18, 2011. Guidelines and submission forms will be available in a folder above the student mailboxes or as downloadable PDFs from the New Creation website (click here).

Google Takes Street View Into Art Museums // Art Project Preview

2011-02-02T14:51:00.002-05:00

Full article here // Excerpt below

By Nick Bilton

Now that Google has conquered a majority of the earth’s major streets with its Google Street View project, the company is starting to move inside. It’s creating the Google Art Project, a virtual equivalent of 17 major art museums, including the Metropolitan Museum of Art and Museum of Modern Art in New York, the Tate Britain and National Gallery in London, and the Van Gogh Museum in Amsterdam, among many others.

Keep reading...

Sing Praises to God // Charles Pettee & FolkPsalm on Faith & Leadership

2011-02-02T14:45:00.005-05:00

Full article here // Excerpt below

Musician Charles Pettee was reading a psalm one day when it occurred to him: This is a song! He began writing music based on Scripture and founded FolkPsalm, a band with a changing set of members ranging from Pettee performing solo to a full seven-piece band. Pettee hopes to make the ancient texts -- and their expression of God’s grace -- more accessible to audiences.

Keep reading...

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For those of you who were present when Charles and the group led worship in Goodson Chapel on January 19--or if you have seen or heard of FolkPsalm in other settings--what do you think of this project? Did you know that Charles often works with Duke Divinity professor Ellen Davis on texts for his songwriting? -- Sarah

Does One Need Sight to Grasp the World? // Brian Friel's 'Molly Sweeney' at Irish Rep (and Ken Medema)

2011-02-02T14:33:00.004-05:00

Full article here // Excerpt below

By Ken Jaworowski

It takes two hours to watch “Molly Sweeney” at the Irish Repertory Theater. But you’ll spend much more time thinking about it afterward. A deeply moving meditation on hope, change and despair, it’s a compelling piece of theater, one in which the ending applause is only the beginning of the play’s effects.

Molly, who has been blind almost since birth, starts off by recounting her life, one blessed with friends and a recent marriage. Her ever-enthusiastic husband, Frank, embarks on a plan to restore her sight and seeks out Mr. Rice, a once-promising eye surgeon who has gone into near-seclusion. “What has she to lose?” Mr. Rice asks as he agrees to operate on her. That question will haunt them all.

Keep reading...

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Sidebar: This past weekend at the Calvin Symposium on Worship, I was blessed to be in a worship service and a songwriting workshop led by Ken Medema. Though blind from birth, Ken is one of the most effective songwriters and worship leaders I have come across. I encourage you to check out his work, and to consider this question: how do you think the lack of one of the five senses might hinder--or enhance--one's appreciation and/or creation of art and beauty?
-- Sarah

Lee Smith: A lifetime of paying attention | Faith & Leadership

2011-02-01T12:49:00.004-05:00

See my latest interview with one of the iconic Southern writers of our time:

Lee Smith: A lifetime of paying attention | Faith & Leadership

Writing the Play His Curiosity Led Him To // Playwright Matthew Lopez and 'The Whipping Man'

2011-01-31T09:14:00.005-05:00

Full article here // Excerpt below

By Felicia R. Lee

Matthew Lopez is ready for the question but continues to refine the answer. How did he, a self-described “foxhole Episcopalian” from the Florida Panhandle, the son of a Puerto Rican father and a Polish-Russian mother, come to write a play about a Jewish Confederate soldier and two former slaves raised as Jews who, in the charred wreck of a Virginia home after the Civil War, celebrate Passover together?

Keep reading...

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On a similar subject (sort of), a book club at Judea Reform Congregation in Durham looked this past month at Dara Horn's novel All Other Nights, about a Jewish spy in the Civil War.

15th-Cent. English Composer vs. Kinetic Typography // New York Polyphony's Rendition of Beata Progenies - Video + Free Download

2011-01-31T08:43:00.005-05:00

Full article here // Excerpt below

It’s safe to say that Lionel Power (d. 1445) could never have imagined the digital world we live in. I doubt he even dreamed that his music (handwritten in a few books) would survive beyond his death much less be sung by a group of guys living in city 3,000 miles away more than 500 years in the future.

[See video below. Sidebar: This song will be part of (and actually the theme of) the Duke Chapel Vespers Ensemble's spring concert in April. Stay tuned.]

Keep reading...

Cairo Photographer Sees Hope in Turmoil // Scott Nelson Tells What It's Like

2011-01-31T08:29:00.002-05:00

Full article here // Excerpt below

By The New York Times

Scott Nelson, 40, is a freelance photographer who works regularly for The New York Times. He’s from Denver but has been based in Cairo for a decade. For this post, he spoke with James Estrin late Saturday and followed that by elaborating on his experiences and expectations as a photojournalist and as a Cairo resident.

Keep reading...

Encounter 11 // Be Generative

2011-01-28T16:29:00.010-05:00

Another conference deadline has been extended - this one for, Encounter 11 at the Tribeca Performing Arts Center in New York City, March 3 - 5, 2011. Do you know about the International Arts Movement?

Move On Up // Angélique Kidjo’s Songs that Inspire the Struggle

2011-01-28T10:47:00.002-05:00

Full article here // Excerpt below

By Nancy Rosenbaum

In our interview yesterday morning, Vincent Harding spoke about the galvanizing power of song during the civil rights struggles of the 1950s and 60s. He also lamented that today’s “hip-hop young people” have not produced a soundtrack for their generation that can express the “great need and desire for a better world.”

Keep reading...

“A Stone in Aberdaron” – Artist Reception

2011-01-26T11:40:00.002-05:00

Artist, Nathaniel Hester, will speak about his work at a reception held at the Divinity School Library on Wednesday, February 2 at 12:20pm. Refreshments will be served. The exhibit, “A Stone in Aberdaron,” a collaborative bookmaking project of Daniel Tobin (Interim Dean of the School of Arts; Emerson College) and Nathaniel Hester (MDiv, Duke Divinity School, ’14) will be on display at the Divinity School Library through February 25, 2011.

In Britain, Separation of Art and State // David Wojnarowicz Ruckus

2011-01-26T10:11:00.002-05:00

Full article here // Excerpt below

By Michael Kimmelman

For all the talk about one big, globalized art world, the trans-Atlantic gulf reasserted itself the other evening via a small but telling event. An overflow crowd of several hundred people, young and old, men and women, gay and straight, packed Starr Auditorium at the Tate Modern here to pay tribute to David Wojnarowicz, the artist and AIDS activist who died, at 37, from AIDS, in 1992.

Last week, on a visit to Los Angeles, the secretary of the Smithsonian, G. Wayne Clough, was still struggling to account for why he caved two months ago to Republican lawmakers and the leader of the Catholic League, a group that calls itself a defender of free speech. Mr. Clough told The Los Angeles Times that, among other things, fear of retaliatory budget cuts caused him to remove a video by Wojnarowicz from “Hide/Seek,” at the Smithsonian’s National Portrait Gallery in Washington, a show about same-sex themes in American portraiture.

Bill Donohue, president of the Catholic League, had declared an excerpt from the video, featuring ants crawling on a crucifix, “hate speech.”

Keep reading...

The Thorny Path to a National Black Museum // The National Museum of African American History and Culture

2011-01-26T10:07:00.002-05:00

Full article here // Excerpt below

By Kate Taylor

In the late 1970s, when Lonnie G. Bunch III had his first job at the Smithsonian’s National Air and Space Museum, veterans of the Tuskegee Airmen, the all-black squadron, accused the museum of playing down their contributions during World War II. In response, the museum asked some of the African-Americans on staff to allow their faces to be used on mannequins, increasing the “black presence” in its exhibits.

“I didn’t do it,” Mr. Bunch said recently, who was among those asked. “That’s not the way I wanted to be part of a museum.”

Thirty years later Mr. Bunch, and African-American history itself, are part of a Smithsonian museum, but in a very different way. As the director of the National Museum of African American History and Culture, Mr. Bunch, 58, is charged with creating an institution that embodies the story of black life in America.

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Art Exhibit Stirs Up the Ghosts of Zimbabwe’s Past // Exhibit at National Gallery Becomes a Crime Scene

2011-01-26T10:03:00.003-05:00

Full article here // Excerpt below

By Celia W. Dugger

The exhibit at the National Gallery is now a crime scene, the artwork banned and the artist charged with insulting President Robert Mugabe. The picture windows that showcased graphic depictions of atrocities committed in the early years of Mr. Mugabe’s 30-year-long rule are now papered over with the yellowing pages of a state-controlled newspaper.

But the government’s efforts to bury history have instead provoked slumbering memories of the Gukurahundi, Zimbabwe’s name for the slaying and torture of thousands of civilians here in the Matabeleland region a quarter century ago.

“You can suppress art exhibits, plays and books, but you cannot remove the Gukurahundi from people’s hearts,” said Pathisa Nyathi, a historian here. “It is indelible.”

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The Charles Wesley of Sudan // The Muse of Church Revival in Sudan

2011-01-24T12:41:00.002-05:00

Full article here // Excerpt below

By Jason Byassee

I think I met the Charles Wesley of the church of Sudan.

Just as Charles’ hymns powered the Methodist movement across the British Isles, the Americas, and now the Global South, so too did Mary Alueel Garang’s songs power a revival in the Episcopal Church of Sudan (ECS), helping to bring in millions of members during that country’s brutal two-decade long civil war. “I just found myself singing,” she explained when asked how she wrote so much and so movingly. If songs come to her, she writes them down, “if they are meaningful.” She herself describes their themes this way: “During the war there was suffering, we ran from place to place, but we encouraged people not to give up and to come to church. You can’t save your life on your own.”

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Saturday in Durham // New Creation Concert Series featuring David Johnston and Reynolds Chapman

2011-01-24T12:10:00.005-05:00

New Creation Concert Series: Re-Imagining Contemporary Christian Music will kick off this weekend with a performance at Copa Vida Coffee, near West Campus. The idea of the concert series is geared toward providing opportunities for songwriters, both DDS students and others, to interface through performances and discussions about what it means to be a Christian songwriter. We'll start by hearing from Senior M.Div. David Johnston and recent DDS alum Reynolds Chapman. Come join us!

Saturday, January 29
6:30 p.m. - 9:00 p.m.

Copa Vida

2816 Erwin Road #201

Durham, NC

For more information, email newcreationartsgroup@gmail.com or check out the Facebook event here.

Wednesday at Duke // Documentary Screening: 'Soldiers of Conscience'

2011-01-24T12:03:00.004-05:00

Duke students, staff, and faculty are invited to a screening of the Emmy award-winning documentary Soldiers of Conscience (also endorsed by the US Army), hosted by a Divinity School working group that hopes to hold an event next fall on Veterans Day to honor the consciences of and heal moral injury among our service men and women. The documentary will be followed by a brief discussion and our first official planning meeting for the event.

Wednesday, January 26
5:00 p.m. - 8:00 p.m.
0014 Westbrook

For more information, contact lm172@duke.edu or visit the Facebook event page here.

‘Tukutendereza Yesu’ // Notes from the Global Church

2011-01-24T12:00:00.002-05:00

Full article here // Excerpt below

By Philip Jenkins

I'm never convinced when Protestants claim to be people of the Bible alone. They are people of the Bible and the hymnbook, and the two volumes complement each other splendidly. As you sing, so you believe and so you pray—and so you learn much of your theology.

As Christian churches grow around the world, it is not surprising to find an astonishing efflorescence of hymn composition. We must avoid the loose term hymn writing, as so many of the creators are primarily oral artists, and only gradually do their works find their way into written form. But however they are made, the sheer abundance and quality of those hymns is overwhelming, whether in Yoruba or Swahili, Tamil or Zulu. Arguably, we live today in the golden age of Christian hymn-making.

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Bhargava Calls Prayer Space a Place to “Strengthen Oneself” // New Joint Space for Hindus and Buddhists at Duke

2011-01-24T11:53:00.005-05:00

Full article here // Excerpt below

By Sony Rao

In a show of religious unity, Hindu and Buddhist student groups came together Saturday to inaugurate a new, shared prayer room in the Bryan Center.

Students, faculty and members of the Durham community gathered in the Breedlove Room to celebrate interfaith collaboration on campus and the official opening of the Hindu-Buddhist prayer space. Events included prayer ceremonies in the afternoon followed by a reception sponsored by the Duke University Faith Council.

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Reynolds Price // A Southern Writer, A Lyrical Gift

2011-01-21T12:22:00.002-05:00

Full article here // Excerpt below

Reynolds Price, the acclaimed writer known for his evocative novels and stories about rural North Carolina, died in Durham yesterday. He was 77.

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Painting in Deadly Oil // From The NY Times' Lens Blog

2011-01-21T10:02:00.003-05:00

Full article here // Excerpt below

Oil-soaked pelicans. Turtles caught midstroke in black ooze. Floating schools of dead fish. And then fishermen throwing out their catch.

In the visual coverage of the Gulf of Mexico oil spill last year, certain tableaus became pervasive. An image would move over the wires and photojournalists on the scene competed to match it. “Everyone was trying to make the same picture,” said Benjamin Lowy, “because it was very hard to articulate visually.” For one thing, he said, the spill was so vast.

Mr. Lowy, 31, a photographer with Reportage by Getty Images, found another way to capture the story. He focused on the oil itself as it collected on the water’s surface in phosphorescent, psychedelic swirls and paisleys, the result of different chemical mixtures, rates of oxidation and lighting angles.

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Tracy Radosevic: The Sounds of a Living Tradition // From Faith and Leadership

2011-01-21T09:53:00.002-05:00

Full article here // Excerpt below

Because Bible stories were initially communicated orally -- with breath, sound and movement -- the sounds of the story still matter today, said storyteller Tracy Radosevic. Asking questions such as “Who was the audience?” and “What was going on socially, politically and economically?” when the story was first told allows the current meaning of the story to express itself through the teller, she said.

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CHRIST, CHURCH, CULTURE

2011-01-20T15:56:00.005-05:00

Interested in hearing Andy Crouch, Makoto Fujimura, and Paul Weston (among others)? The student rate (100.00) for the C3 Conference, February 24 - 26, 2011 in Nashville, Tennessee makes this an affordable road trip and a great way to network. Check it out.

For Gay Arabs, a Place to Dance, and Break Down Walls // Crowds Come Out to Monthly New York Dance Party

2011-01-15T14:28:00.002-05:00

Full article here // Excerpt below

By Chadwick Moore

Around midnight, upstairs in a small club on Avenue of the Americas, the pitch-black dance floor resounded with the rapid stomps and warbling, high-energy cries of the dabke, an Arab folk dance performed at weddings and other celebrations.

When the strobe lights flashed, they revealed a sea of raised hands. A man in the crowd removed his kaffiyeh, the traditional headdress worn by some Arab and Kurdish men, and whipped it around in the air.

[...]

This was a recent Saturday night at Habibi, a floating monthly dance party of lesbian, gay, bisexual and transgender Arabs in New York. In a city that seems to offer activities for every conceivable gay subculture — one 700-entry directory lists support groups for, among others, gay vegans, pilots and sailing enthusiasts, along with 62 religion-based groups — Habibi is perhaps the only opportunity in New York for gay people of Middle Eastern descent to interact openly in an organized setting.

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The Vote In Sudan // On APM's The Story

2011-01-14T13:55:00.002-05:00

All this week, people from Southern Sudan have been casting their vote in a referendum to decide if they should become their own nation. Twenty-year-old Nyuol Tong was born in Sudan. He spent much of his childhood surrounded by civil war and living in refugee camps, often writing poetry to express his hopes and desires for his country. He is now a student at Duke University, and will be traveling to Alexandria, Virginia on Friday to vote.

Listen here

The Healing Power of Music and Haiti Noir // The Arts in Haiti, One Year After the Earthquake

2011-01-14T13:48:00.003-05:00

Click here to listen American Public Media's The Story's recent program on the healing power of the arts in Haiti one year after the devastating earthquake:

The healing power of music

Jean Montes grew up in Haiti. He attended the Holy Trinity School of Music before coming to the States to become a conductor and musician. When the earthquake struck one year ago this week, his thoughts were of his beloved school and students. Jean knew his country needed food, water and shelter - but they also needed hope. Since then he has taken hundreds of instruments to Holy Trinity to give to young students through the Haitian Youth Music Relief.

Haiti Noir

Patrick Sylvain is a Haitian - American writer. He had planned to fly into Haiti on the day of the earthquake - but he did not. When the quake happened, Patrick was safe in the US. Later, he went to Haiti to help the people. He's made some sense of his own emotion through his contribution to the new book Haiti Noir.

International Arts Movement

2011-01-14T09:38:00.003-05:00

"The world is not as it ought to be:"

This is the vision of the International Arts Movement whose focus is to call on art to address dehumanization. If you're interested in learning more about how you can be a part of a movement interested in wrestling with issues of art and faith with the hope of inspiring and engaging the culture, check out their website and mark your calendars for their upcoming conference, Encounter 11 - Be Generative, March 3 - 5 in NYC.

The Handwritten Letter, an Art All but Lost, Thrives in Prison // Magazine Gives Prisoners a Link to World Outside

2011-01-11T10:16:00.003-05:00

Full article here // Excerpt below

By Jeremy W. Peters

To the Georgia Department of Corrections he is inmate No. 544319, in prison on a five-year sentence for drug possession. But to the editors of Maxim, he is Mike Bolick, a faithful reader and regular letter writer who has loopy penmanship and an eye for beautiful cover models.

Mr. Bolick has become known at Maxim over the years for sending cover girls letters through the magazine with the hope that they will agree to be his pen pals. He is gracious and self-effacing, complimenting their beauty while asking them to please excuse his poor spelling and punctuation. He has plans to get his G.E.D. to remedy that, he explained in a recent letter to the pin-up girl Rachelle Leah.

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Poetry Is Not a Luxury // Words That Shimmer

2011-01-07T11:15:00.002-05:00

Below is an excerpt from an essay referenced by Elizabeth Alexander in the show "Words That Shimmer" from Krista Tippett On Being.

Full article here // Excerpt below

By Audre Lorde

The quality of light by which we scrutinize our lives has direct bearing upon the product which we live, and upon the changes which we hope to bring about through those lives. It is within this light that we form those ideas by which we pursue our magic and make it realized. This is poetry as illumination, for it is through poetry that we give name to those ideas which are, until the poem, nameless and formless-about to be birthed, but already felt. That distillation of experience from which true poetry springs births thought as dream births concept, as feeling births idea, as knowledge births (precedes) understanding.

As we learn to bear the intimacy of scrutiny, and to flourish within it, as we learn to use the products of that scrutiny for power within our living, those fears which rule our lives and form our silences begin to lose their control over us.

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Going Naked as a Sign // Jon Watts' "Clothe Yourself in Righteousness" Project

2011-01-05T16:53:00.001-05:00

Clothe Yourself in Righteousness is a pretty interesting project that completed its fundraising just last month and is now in the production stage. Check out the video and/or brief description below, and "like" it on Facebook.

The Early Quakers (“Friends”, as they are often known) sought to break down the apathy of their countrymen, reminding them that Christianity began as a radical movement of action and personal commitment, now diluted by the rites, rituals and power dynamics of the modern church.

In order to make their point, Quakers often found themselves creating spectacles, such as interrupting a Sunday service in a large Anglican Church to loudly debate the theology of the church with the presiding pastor. Such behavior was often rewarded with arrest, and many Early Friends spent time in jail, sometimes losing their lives and often losing their property or other valuable resources.

After reading a research paper for the Earlham School of Religion by his friend Maggie Harrison, Jon Watts decided to dedicate his creative energy to exploring "going naked as a sign", both literally and figuratively.

More info

This Month in Raleigh // Shen Yun Performing Arts Preserves Ancient Forms

2011-01-02T23:19:00.003-05:00

On January 22, the Shen Yun Performing Arts group will be in Raleigh at Memorial Auditorium in the Progress Energy Center. The performance is a sort of blending of the arts with culture and spirituality--the musical, dance and other techniques cannot be separated from the performers' lifestyles and mindset. The company is also making a bit of a political statement in seeking to recover art forms that the Chinese Communist Party has destroyed.

From the group's website:

Over the past 60-plus years under Chinese Communist Party rule - and especially during campaigns such as the Cultural Revolution—much of China’s traditional culture has been destroyed. But China has a 5,000-year history steeped in rich values and the idea that humanity and the divine are intertwined. This idea is built right into the name "Shen Yun," which in context translates as “the beauty of divine beings dancing.”

At a time when the influence of Buddhism, Taoism, and Confucianism was strong in the Middle Kingdom, art was a means of connecting with the higher universe. Artists cultivated virtue and engaged in study and meditation, because they believed that to create true art worthy of the heavens, there must first be inner beauty and purity. Today, Shen Yun’s artists follow in this noble tradition.

Click here for ticketing info.

Our New Band Of The Day 2010 Playlist // From Guardian.Co.UK

2011-01-01T19:29:00.001-05:00

Full article here // Excerpt below

By Paul Lester

From oOoOO to How To Dress Well to DJ Nate to Teengirl Fantasy to Drake, many 2010 artists shared a penchant for messing with R&B, playing with the tempo or, literally in Nate's case, taking a soul tune like Deniece Williams's 1977 hit Free and putting it through the studio mincer. What I really like is the way it all drifts together so seamlessly – it might be more down to accident than an active free exchange of ideas, but you can play MillionYoung's Pilfer, Toro Y Moi's Freak Love and Washed Out's Belong next to Drake's The Resistance and they sound as though they all used the same producer. There was also confluence between Girl Unit's dubstep, DJ Nate's fancy footwurk and the witch house/drag of people like Salem (not featured here) and Balam Acab.

New Band Of The Day - Best of 2010

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The L.A Times lists its Top 10 Theater/Art/Architecture/Classical/Jazz of 2010

2010-12-31T18:56:00.005-05:00

The L.A. Times has its Top 10 lists up for the The Year in The Arts, 2010. Each are listed/linked below by medium. Happy New Year! -- Leif

Top 10 / Theater

Top 10 / Art

Top 10 / Architecture

Top 10 / Classical Music

Top 10 / Jazz

Evolving Faith(s)

2010-12-31T18:52:00.003-05:00

The most recent episode of onBeing explores the question of "how American culture's encounter with religious ideas and people has evolved in the past decade." Listen to the program by following this link.

Cambodian Art Emerges from Horrors of Murderous Past

2010-12-30T10:59:00.005-05:00

Full Article Here // Excerpt Below

by Robert Turnbull

PHNOM PENH — Slowly but surely, Cambodia’s visual arts’ scene has been emerging from the shadow of the Pol Pot era, nurtured by a clutch of mostly Western-owned galleries dotted around the capital. Years of faith and investment are finally paying off.

The Arts in 2010 // 'Spider-Man' to Facebook to Arcade Fire

2010-12-28T20:28:00.005-05:00

Memorable Moments of 2010: Arts

Scholars Say Chronicler of Black Life Passed for White // Henry Louis Gates Jr. and Jean Toomer's 'Cane'

2010-12-28T20:25:00.002-05:00

Full article here // Excerpt below

By Felicia R. Lee

Renown came to Jean Toomer with his 1923 book “Cane,” which mingled fiction, drama and poetry in a formally audacious effort to portray the complexity of black lives. But the racially mixed Toomer’s confounding efforts to defy being stuck in conventional racial categories and his disaffiliation with black culture made him perhaps the most enigmatic writer associated with the Harlem Renaissance.

Now Henry Louis Gates Jr., the Harvard scholar, and Rudolph P. Byrd, a professor at Emory University, say their research for a new edition of “Cane” documents that Toomer was “a Negro who decided to pass for white.”

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"In a dark time the eye begins to see" // A first glance at Bernd Brunner's new book "Moon: A Brief History"

2010-12-28T11:41:00.005-05:00

Full Article Here // Excerpt Below

by Cornelia Dean

Every faith and culture, it seems, kept an eye on the Moon, setting Passover, Easter, Ramadan, Tet and other observances according to the lunar calendar. The Buddha was supposed to have achieved enlightenment by the light of the full Moon, and as belief in a Moon goddess faded with the advent of Christianity, Mr. Brunner tells us, Mary became associated with the Moon. // Read On...

Do you have time for Beauty? Do you have time for God?

2010-12-27T10:55:00.010-05:00

The holiday rush and shopping crush of this time of year can often blind us to the beauty and grace to be found all around us. And just as many in Bethlehem didn't recognize anything special about a young couple with a new born baby two thousand plus years ago, we too are often profoundly ignorant of the beautiful and the divine in our midst. It is in the spirit of this basic fact that I pass along this Pulitzer prize-winning Washington Post article from 2007 which documents what happened when arguably the greatest living violinist played incognito in the D.C. subway one morning. The Post article asks the question "Do you have time for beauty? Shouldn't you?" but we might also ask, for those professing faith, "Do you have time for God? Shouldn't you?" Enjoy! -- Leif

Full Article Here // Excerpt Below

by Gene Weingarten

No one knew it, but the fiddler standing against a bare wall outside the Metro in an indoor arcade at the top of the escalators was one of the finest classical musicians in the world, playing some of the most elegant music ever written on one of the most valuable violins ever made. His performance was arranged by The Washington Post as an experiment in context, perception and priorities -- as well as an unblinking assessment of public taste: In a banal setting at an inconvenient time, would beauty transcend?

Each passerby had a quick choice to make, one familiar to commuters in any urban area where the occasional street performer is part of the cityscape: Do you stop and listen? Do you hurry past with a blend of guilt and irritation, aware of your cupidity but annoyed by the unbidden demand on your time and your wallet? Do you throw in a buck, just to be polite? Does your decision change if he's really bad? What if he's really good? Do you have time for beauty? Shouldn't you? // Keep Reading...

Holy Ignorance // When Religion & Culture Part Ways

2010-12-26T20:13:00.003-05:00

Full Article Here // Excerpt Below

by Alan Wolfe

Every winter Fox News, seeking to stir up anger through the land, uncovers evidence of a war on Christmas. Secular humanists ignorant of religion and hostile to its traditions, someone in the studio will declare, want us to say “Happy Holiday” or give Kwanzaa equal standing. But Christmas, as its name suggests, is about Christ. These enemies of Christianity will stop at nothing to get their way. Not even Santa Claus is sacred to them.

Actually, as the brilliant French social scientist Olivier Roy points out in “Holy Ignorance: When Religion and Culture part ways,” it is those defending Christmas who are not being true to their traditions and teachings. There are no Christmas dinners in the Bible, which is why America’s Puritans, strict adherents of what that venerated text offers, never sat down by the raging fire awaiting St. Nick; indeed, they briefly banned Christmas in Massachusetts. Read On

Way Beyond Atheism // Paul Wallace on why Richard Dawkins is a fundamentalist, and most Atheists reject too little

2010-12-25T15:04:00.001-05:00

Full Article Here // Excerpt Below

by Paul Wallace, M. Div. candidate at Emory

Last week I read a remarkable essay [by Denys Turner, professor of Theology at Yale] called “Apophaticism, Idolatry, and the Claims of Reason.” In it he tells this story:

Some years ago, and in younger, more foolhardy days, finding myself in a tight spot in a public debate with a philosopher atheist at Bristol University, I made a wager with my audience: I would give anyone present five minutes to explain his or her reasons for atheism and if, after that, I could not guess correctly the Christian denomination in which that person had been brought up, I would buy her a pint of beer. As luck would have it I was not broke at the subsequent revels.

It turns out that he was not broke because no one took the bet. But the story points out a very interesting idea that Turner pursues in the course of his essay: The atheisms of most committed, principled atheists are often not more than mirror images—inversions—of the theisms they negate. In On Interpretation, Aristotle wrote, “Affirmations and their corresponding negations are one in the same knowledge”; therefore, one can discern from many atheisms their corresponding affirmative theologies. Read on...

The Sacred and Secular Spirit of Christmas

2010-12-25T11:31:00.001-05:00

Full Post Here // Excerpt Below

by David True

It’s become customary this time of year to hear concerns expressed about the loss of Christmas spirit. Sometimes these fears are more about one’s cultural identity — and the sense that one’s group is losing power and influence — than they are about the actual meaning of Christmas. At other times, one hears something that sounds less reactionary and more like a thoughtful: Have our Christmas rituals lost some of their meaning? Have they become old and tired or do they pale in comparison to more novel inventions? Keep Reading...

Scott Avett: Musician and Visual Artist // The Elder Avett Brother Stays Busy

2010-12-23T22:00:00.001-05:00

Scott Avett has been busy. Not only as the banjo-playing member of the nationally-successful local band, The Avett Brothers, but he’s also carving out a career for himself in the visual art world. Scott’s been painting for years, and even studied art when he was a student at East Carolina University in the late 90’s. Now he’s getting attention for his art as well as his music, and we’ll talk about both.

More info

My Advent of Magnanimous Despair // Doubt and Depression Mediated Through Poetry

2010-12-23T16:22:00.002-05:00

Full article here // Excerpt below

By Luke Hankins

For me, Advent means that God is coming into your life — is already there, in fact, has always been there, but you are about to experience that fact in an unprecedented way. I have come to view my experience of losing my faith and falling into anxiety and depression, into fear of damnation, into hopelessness, as being God’s advent into my life.

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The Great Rustici Emerges From the Shadows // The Revelatory Exhibition at the Bargello Museum

2010-12-23T16:18:00.002-05:00

Full article here // Excerpt below

By Roderick Conway Morris

Vasari declared the bronzes “the most perfect and harmonious by a modern master” and nothing to rival them was made in Florence until the arrival in the city of Giambologna nearly half a century later. Rustici’s “Preaching of St. John the Baptist,” hoisted into position over the Baptistery’s north door in 1511, was reputed to be the result of some form of collaboration with Leonardo, the exact nature of which remains uncertain.

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Joe Carter and the Legacy of the African-American Spiritual // From Krista Tippett On Being

2010-12-23T16:15:00.003-05:00

Check out the full interview here.

Born in slavery, the Negro spiritual conveys a generous understanding of the nature of God and of human life. A celebration in word and song — through its hidden meanings, as well as its beauty, lament, and hope.

What's Your Calling? // Young Religious Leaders Explore Vocation in PBS's The Calling

2010-12-23T16:01:00.002-05:00

Join seven young, vibrant, thoughtful and vastly different Americans as they embark on the most extraordinary journey of their lives. Representing Jewish, Muslim, Catholic, and Protestant faiths, each is ignited by the "call" to serve humanity and has decided to join the clergy. The Calling is a four-hour documentary series that follows them from their first days of training, through years of challenges, doubts, triumphs and surprises, and into their early practice as ordained professionals.

More info