Just up this evening, a wonderful architectural article on Jean Nouvel's new design for the National Museum of Qatar, to be unveiled Tuesday (March 23).
Few architects have invested more time trying to bridge the gap between the high-tech aesthetics of the West and the traditions of the Middle East than Jean Nouvel.
His design for the Arab World Institute in Paris in 1987 was dominated by mechanical, light-regulating apertures arranged in a pattern that evoked Islamic motifs. A planned branch of the Louvre Museum in Abu Dhabi will be shaded by a gigantic dome that turns its grounds into a kind of oasis. And workers are putting the final touches on an office tower in Doha, Qatar, that is sheathed in aluminum latticework and capped by a filigreed, mosquelike dome.
But Mr. Nouvel’s design for the National Museum of Qatar, scheduled to be unveiled on Tuesday at the Museum of Modern Art in New York, may be that French architect’s most overtly poetic act of cultural synthesis yet.
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