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By Steve Smith
Over the course of the White Light Festival at Lincoln Center, the notion of music as a conduit to spirituality has taken a variety of forms: individual contemplation, communal praise, the physical discipline of dance, a rock star’s beatific charisma. With “The Manganiyar Seduction,” which arrived belatedly at the Rose Theater on Monday night after a visa-related delay, came still another facet of spirituality: communion with God achieved in a manner embracing the sensual and the ecstatic.
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