Charles Isherwood of The New York Times is among those raving about the shot-in-the-arm given to Broadway by the recent arrival of the angsty musical American Idiot, the theatrical adaptation of punk-rock trio Green Day's blockbuster 2004 album of the same title.
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Rage and love, those consuming emotions felt with a particularly acute pang in youth, all but burn up the stage in “American Idiot,” the thrillingly raucous and gorgeously wrought Broadway musical adapted from the blockbuster pop-punk album by Green Day.
Pop on Broadway, sure. But punk? Yes, indeed, and served straight up, with each sneering lyric and snarling riff in place. A stately old pile steps from the tourist-clogged Times Square might seem a strange place for the music of Green Day, and for theater this blunt, bold and aggressive in its attitude. Not to mention loud. But from the moment the curtain rises on a panorama of baleful youngsters at the venerable St. James Theater, where the show opened on Tuesday night, it’s clear that these kids are going to make themselves at home, even if it means tearing up the place in the process.
Which they do, figuratively speaking. “American Idiot,” directed by Michael Mayer and performed with galvanizing intensity by a terrific cast, detonates a fierce aesthetic charge in this ho-hum Broadway season. A pulsating portrait of wasted youth that invokes all the standard genre conventions — bring on the sex, drugs and rock ’n’ roll, please! — only to transcend them through the power of its music and the artistry of its execution, the show is as invigorating and ultimately as moving as anything I’ve seen on Broadway this season. Or maybe for a few seasons past.